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Jeet Kune Do: The Arsenal of Self-Expression, by Teri Tom
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Apply the combat science of Bruce Lee's revolutionary martial art!
In a natural progression from the author's earlier work: The Straight Lead: The Core of Bruce Lee's Jun Fan Jeet Kune Do, Teri Tom takes the mechanics and strategies covered in that book and applies them to the rest of the JKD repertoire. With a foreword by Ted Wong, Bruce Lee's protege, Jeet Kune Do: The Arsenal of Self-Expression continues to fill instructional gaps found between Lee's Fighting Method series and Tao of Jeet Kune Do.
Often referred to as Ted Wong's "top student," Teri presents many details that Wong observed during his time with Bruce Lee, and also describes his research into the how and why of Jeet Kune Do techniques.
Bruce Lee wrote of "three stages of cultivation" that lie along the path to JKD mastery:
- The Stage of Innocence—this is the level of the absolute beginner.
- The Stage of Art—the student is immersed in the process of technical and physical training.
- The Stage of Artlessness—the stage of "highest art" in which the body is no longer hindered by the mind. As Bruce Lee would say, "It hits all by itself."
You'll also learn about
- Bruce Lee's revolutionary approach to combat that takes advantage of human biomechanics;
- How to evade attacks, and use those evasive movements to launch counter-attacks;
- Natural ways to chain your moves into seamless combinations;
- The importance of developing mental and physical speed, footwork, cadence, good timing and judgment of distance;
- All techniques are traced to the original sources that inspired Bruce Lee, including the works of Jack Dempsey, Aldo Nadi, Jim Driscoll, Edwin Haislet, Roger Crosnier and Julio Martinez Castello. Direct influences on Bruce Lee are referenced to the page of their original sources.
- Sales Rank: #1372657 in Books
- Brand: Tom, Teri (FRW)
- Published on: 2009-10-10
- Released on: 2009-10-10
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .50" w x 8.50" l, 1.89 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
Review
"I regard [Teri Tom] as perhaps the most articulate and scientific JKD instructor out there." —Robert Young, Executive Editor, Black Belt Magazine
About the Author
Teri Tom, MS, RD, has spent 10 years and over 1,000 hours in private study with Sifu Ted Wong and is one of the world's most knowledgeable instructors on the lattermost stages of Bruce Lee's martial art, Jun Fan Jeet Kune Do. She is a board member of the Bruce Lee Foundation, pens a monthly column for Black Belt Magazine, and is the author of The Straight Lead: The Core of Bruce Lee's Jun Fan Jeet Kune.
Most helpful customer reviews
19 of 23 people found the following review helpful.
Watered down JKD Kickboxing
By Rbt1080
The title of this book really should have been Jun Fan Kickboxing simply because of its narrow focus. In reality, it's a rather watered down version of JKD . While Tom does outline some techniques in detail, the book is incomplete and one would be better off with Chris Kent's JKD Kickboxing. The book is marred by a number of contradictions that leads one to believe that her understanding of JKD is very limited. She makes the case that JKD was solely derived from Boxing and Fencing and devoid of Wing Chun. This is a major contradiction to every original student from Lee's final school in LA. She disputes that other arts influenced Lee in his development as Dan Inosanto claims, but then she has an entire chapter devoted to kicks that obviously come from Thai boxing and Savate and have no relationship to Boxing or Fencing. One is prompted to ask "so where did these kicks come from?" Her assumption that grappling played no part in JKD is also incorrect. According to Bruce Lee's original student Larry Hartsel, a man who also studied privately with Lee, there were 33 distinct grappling moves developed by Lee for JKD and was very interested in ground fighting towards the end of his life. Teri Tom's assumption that if Lee didn't show something to Ted Wong, then it wasn't part of JKD is poor journalism to say the least. If any reader is truly interested in acquiring an honest view of JKD, they should study from as many "original" sources as possible.
The book is also marred by her political attempt to place her own instructor as the highest authority in JKD. She justifies this position with the fact that Ted Wong met Bruce Lee in 1967 and had the most private lessons logged in Lee's Day Timer. Unfortunately she fails to mention that Dan Inosanto began working with Lee three years before Wong. Lee and Inosanto had a relationship that evolved beyond teacher slash student and not every meeting was a "logged" lesson. She also fails to mention that while Wong was given a level 2 certification by Lee, Dan Inosanto was given a level 3. A level 3 was the certification given by Lee that allowed one to teach his art and Bruce had handpicked Inosanto to run his LA "Chinatown" school. Ted Wong was a devoted student of Lee's and Lee was known for focusing on what each student needed individually. Sifu Wong had never studied any kind of martial arts before he met Lee so Lee was working from the ground up and focused on Wong having a basic structure. Many feel that's why Wong developed the idea that JKD was more of a fixed and distinct style. Alas, if Lee had only lived longer and Wong could have studied long enough to have been certified to a level 3. Then perhaps he would have had a greater appreciation of the deeper philosophical aspects of JKD. In the words of Bruce Lee "Therefore, any attempt to define Jeet Kune Do in terms of a distinct style ... is to completely miss its meaning." And that's the sad truth about this book. Ted Wong wrote in the foreward that it was a loss that the original students didn't collaborate after Lee's death and pool their JKD knowledge together. If Wong had discussed more with other original students, perhaps this book would not have been limited to a few basic kicks and strikes, but might have been more inclusive of the totality and beauty of Lee's art.
36 of 47 people found the following review helpful.
The Fundamentalist of JKD
By Frank H.
This is a book that's hard to rate. From a purely technical standpoint, this text is actually pretty good. Much like "The Straight Lead" it covers few techniques in the tiniest details. This approach means that the reader will not get a lot of variety, but will be exposed to a very in-depth look at some of the basics of JKD.
But whereas the technical section is overall well done, the theoretical part of Tom's work is downright awful. In her hands, Bruce Lee's beautiful philosophy is turned into yet another dogma to be followed religiously. This is the worst betrayal of Lee's philosophy one could imagine. Tom is right that many JKD practitioners misuse the freedom of thought and the creativity that Lee encouraged, but her solution is worse than the disease: eliminate the very freedom of thought and creativity that's at the core of Lee's vision. Like a religious fundamentalist, Tom believes modern practitioners should do nothing but follow blindly what Bruce Lee did--which is antithetical to what Lee actually said when he explicitly stated that JKD was a continuous process of research, and not yet another "style".
Perhaps less important, but nonetheless disturbing, is Tom's argument that Lee fashioned JKD entirely out of Western sources (mainly boxing and fencing). In doing so, she completely dismisses the importance of wing chun (and of many other arts that Lee experimented with) in the genesis of JKD (btw, where do all the JKD kicking techniques come from then? From fencing?!?).
I'd love to support Tom's work in producing a very thorough technical manual, but her arrogant dogmatism is too much for me to bear.
23 of 30 people found the following review helpful.
Very well made, extremely badly done
By David Quigley
I am being generous giving this book two stars. I should give it only one, but the book is so well done and the pictures so clear and numerous that I think this book's layout and quality should be a standard for future martial arts publications. For those reasons only I gave it two stars. Everything else in this book is either useless or outright terrible, both in technique and diction. Teri Tom's bigotry towards every other martial art, especially the "non-Ted Wong school" of Jeet Kune Do, is at once frustrating, maddening, and embarrassing. She writes about and SELECTIVELY quotes Sigung Bruce Lee as if he were a deity who is not to be questioned, even close to forty years after his untimely death. Tom (and her trainer/marketer Ted Wong) claim to be truly teaching what Bruce Lee was teaching at the end of his life, which may have some semblance of truth, but it is only a piece of the Jeet Kune Do puzzle. The evolution of Jeet Kune Do as a concept and Jun Fan Gung Fu as an art evolved greatly between 1967 and the early 1970's, yet she cannot seem to imagine that it would have evolved from the time of Lee's death to today. In addition, her ignorance of how and what the other, "charlatan" Jeet Kune Do instructors teach leads her to say false, misleading, and slanderous things about them. Unfortunate...
The book itself has very few actual "techniques", and most seem to be focused on the straight lead once again. I have no problem with this, as in depth studies of few techniques can be just as enlightening as a book with myriad techniques. The problem is how these techniques are portrayed. For all the years Tom has trained with Wong, her technique is as sloppy as someone who has just begun: flailing arms while kicking, landing with extremely wide legs, coming in with her chin up, dropping her arms to her hips when throwing an uppercut or straight lead. This can lead to bad habits to those who don't know any different. I regret spending money on this book, honestly. I wish I could have looked through it before I ordered it. I do NOT recommend this book to anyone, Jeet Kune Do practitioner or not, as I feel it fails to deliver what it promises. Her bitter remarks towards others is also pathetic, to say the least, and has no place in this book. It is truly a shame that a book so well made can be such a waste.
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