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And Yet...: Essays, by Christopher Hitchens
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“America’s foremost rhetorical pugilist.” —John Giuffo, The Village Voice
The death of Christopher Hitchens in December 2011 prematurely silenced a voice that was among the most admired of contemporary writers. For more than forty years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide-ranging and provocative. The judges for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, posthumously bestowed on Hitchens, praised him for the way he wrote “with fervor about the books and writers he loved and with unbridled venom about ideas and political figures he loathed.” He could write, the judges went on to say, with “undisguised brio, mining the resources of the language as if alert to every possibility of color and inflection.” He was, as Benjamin Schwarz, his editor at The Atlantic magazine, recalled, “slashing and lively, biting and funny—and with a nuanced sensibility and a refined ear that he kept in tune with his encyclopedic knowledge and near photographic memory of English poetry.” And as Michael Dirda, writing in the Times Literary Supplement, observed, Hitchens “was a flail and a scourge, but also a gift to readers everywhere.”
The author of five previous volumes of selected writings, including the international bestseller Arguably, Hitchens left at his death nearly 250,000 words of essays not yet published in book form. And Yet… assembles a selection that usefully adds to Hitchens’s oeuvre. It ranges from the literary to the political and is, by turns, a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written. Often prescient, always pugnacious, and formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, his reputation and his readers will continue to grow.
Christopher Hitchens was the cartographer of his own literary and political explorations. He sought assiduously to affirm—and to reaffirm—the ideas of secularism, reason, libertarianism, internationalism, and solidarity, values always under siege and ever in need of defending. Henry James once remarked, “Nothing is my last word on anything.” For Hitchens, as for James, there was always more to be said.
- Sales Rank: #127792 in Books
- Published on: 2015-11-24
- Released on: 2015-11-24
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.10" w x 6.25" l, .0 pounds
- Binding: Hardcover
- 352 pages
Amazon.com Review
An Amazon Best Book of December 2015: What a tragic irony that in this era of surreptitious videotaping, political posturing and runaway media, we no longer have the brilliant Christopher Hitchens to decipher it all for us. The award-winning essayist (many say “polemicist” and mean it as a compliment) died of esophageal cancer in 2011. But if we can only speculate as to what Hitchens would have to say about the world in 2015, we at least can read these collected essays, some already published, some not – at his death, it is said that he left nearly 250,000 words of as-yet-unpublished essays. Whether old or new to us, the pieces collected here are funny and wry and searingly intelligent; not a single nuance or nanosecond of phoniness slips by “Hitch.” Whether analyzing the romanticization of revered Cuban revolutionary leader Che Guevara, or remarking that the conservative pundit Pat Buchanan is a “faux bonhomme,” Hitchens quietly astounds us still with his characteristic combination of erudition and commonality. Reading Hitchens was always a wry, witty pleasure; now that he’s gone, it’s more like having a wonderful dream, a nocturnal visit from a beloved, brilliant friend. --Sara Nelson
Review
Praise for And Yet...
"Christopher Hitchens is sorely missed, And Yet…, reading his new book – a bounty of famous scalps, thunder-blasted targets, and a few love letters – is such a powerful reminder of the late V.F. contributing editor and notorious provocateur in chief’s erudite and scathing assessments of American culture,it’s almost as if he’s here."
— Vanity Fair
“Just as with rock bands that seem to have done more farewell tours than pre-farewell performances, there's probably more in the vault—but in this case, that's a very good thing indeed.”
— Kirkus Reviews
“A very good new collection… The best reason to read AND YET… may be its inclusion of a three-part essay, ‘On the Limits of Self-Improvement,’ that Mr. Hitchens wrote for Vanity Fair about trying to get himself in shape. It is as hilarious as it is wise, and I predict it will be published before long as its own pocket-size book… The moment when Mr. Hitchens undergoes the male version of a Brazilian bikini wax… has yet to be recognized, but surely will be, as among the funniest passages in this country’s literature.”
—The New York Times
“In this volume one is given a model of how to be a thoughtful journalist. Today, four years after his death, Hitchens is correctly seen as a writer who was unafraid to swim against the tide, even to the point of being politically incorrect… All in all, another great book of essays from a writer who we wish were still alive to produce more copy.”
—National Review
Praise for Christopher Hitchens:
"The essays in 'Arguably' remind us of other dimensions to this singular writer and thinker that are sometimes overshadowed by the range of his political commentary. Though there are plenty of essays on politics to be found here, the book also treats us to other arrows in Hitchens' proverbial quiver, including his bracing, exhilarating approach to important literary figures...Its value is clear and needs no justification. And since his diagnosis of esophageal cancer last year, opportunities to hear him, understandably, have been fewer. Which is another thing 'Arguably' inadvertently addresses - for in reading this collection of his thoughts, immersing yourself in the particular turns of phrase and associations of Hitchens' wit, you suddenly realize something else: You're hearing his voice again."—Nick Owchar, Los Angeles Times
"Christopher Hitchens's selected essays are Arguably (Twelve) his finest to date."—Vanity Fair
"One reads him [Hitchens] despite his reputation as someone who wants to drink, argue, and tear the ornaments off the tree, because he is, first and last, a writer, an always exciting, often exacting, furious polemicist. This fact, the most salient thing about him, often gets neglected in the public jousting. Arguably, Hitchens's new collection, forcefully proves this point. Consisting of three kinds of writing - literary journalism, political commentary, and cultural complaint - Arguably offers a panoramic if somewhat jaundiced view of the last decade or so of cultural and political history."—The Boston Globe
"Opinions are to Christopher Hitchens what oil is to Saudi Arabia. This collection, featuring his liveliest, funniest and most infamous essays....There is a time for the balanced, even-handed and sober approach - but why bother with any of that when you could be reading someone as provocative and impish as Hitchens?"—The New York Post
“Arguably the best—and certainly the most prolific—essayist Britain has produced since George Orwell.”
—Andrew Anthony, The Observer
“A rare blend of elements: the buoyant and the serious, the streetwise and the learned, the crude joking of the pub and ‘the cut glass Oxford tones’ of civilized debate.”
—David Castronovo, Commonweal
About the Author
Christopher Hitchens was born April 13, 1949, in England and graduated from Balliol College at Oxford University. The father of three children, he was the author of more than twenty books and pamphlets, including collections of essays, criticism, and reportage. His book God Is Not Great: How Religion Poisons Everything was a finalist for the 2007 National Book Award and an international bestseller. His bestselling memoir, Hitch-22, was a finalist for the 2010 National Book Critics Circle Award for autobiography. His 2011 bestselling omnibus of selected essays, Arguably, was named by The New York Times as one of the ten best books of the year. A visiting professor of liberal studies at the New School in New York City, he was also the I.F. Stone professor at the Graduate School of Journalism at the University of California, Berkeley. He was a columnist, literary critic, and contributing editor at Vanity Fair, The Atlantic, Slate, The Times Literary Supplement, The Nation, New Statesman, World Affairs, and Free Inquiry, among other publications. He died in Houston on December 15, 2011. The following year, Yoko Ono awarded him the Lennon-Ono Grant for Peace.
Most helpful customer reviews
32 of 33 people found the following review helpful.
Nearly 250,000 posthumously published words of sardonic sagacity
By Bookreporter
It would be nearly impossible to read in English without at some point coming across an article or quotation by Christopher Hitchens, an American transplanted from England whose life spanned several critical phases in modern history. Hitchens was born for the role of social critic, but so much more --- acerbic yet kind at times, strict yet also forgiving. He suffered fools gladly, as grist for his mill, and the landscape of his writing is littered with fiery phrases like luminous gems. He was a professor, columnist, critic, essayist, editor and award-winning author (HITCH-22, ARGUABLY). AND YET… is a posthumous collection drawn from the nearly 250,000 words of sardonic sagacity he left behind.
Hitchens was an iconoclast who happily toppled all idols, from Charles Dickens to Hillary Clinton to James Bond to V. S. Naipaul to Christmas. But not always without heart. He can, for example, cite Dickens’ limitations --- his contemptuous anti-Americanism, his annoying gift-card-ization of Christmas --- while lauding his little-known largesse: Dickens revamped Fagin in OLIVER TWIST and later created a kind, helpful Jewish moneylender (Mr. Riah in OUR MUTUAL FRIEND) after receiving an anguished plea from a Jewish lady concerned with the biased characterization of her people.
In 2009, Hitchens damned the newly elected President Obama with faint praise, calling him a “cool cat” who “treads so lightly…that all impressions he has so far made are alarmingly slight.” He gleefully reported Hillary Clinton’s meeting with Sir Edmund Hillary, at which she recklessly declared that “her mother had actually named her for this famous and intrepid explorer." Hitchens was pleased to retort that Clinton was born in 1947, six years before Sir Edmund gained worldwide acclaim for his ascent of Mt. Everest.
Hitchens denigrates the American mania for Christmas with a barrage of verbal potshots --- “obligatory generosity,” “deadening routine,” “angels and menorahs on the White House lawn” --- reminding us that our Puritans banned such blasphemies as burning logs and lit-up trees. He handles the subject with his usual articulate waggishness, making us smile a bit at ourselves. His detractors might point to the root cause of his Scrooge-like disdain for our favorite holiday: Hitchens was what he liked to call an “antitheist,” firmly convinced that the big three religions were responsible for most of the ills of the world.
But Hitchens is quite able to mock himself, as here in a three-part essay, “On the Limits of Self-Improvement,” describing his attempts to look and feel younger: seminars, dieting, smoking cessation, dentistry and the magic of photoshopping. He concludes that his smile is “no longer frightening to children,” and his hair and skin no longer look “as if harvested from a battlefield cadaver.”
Since essays are brief by nature, one must draw conclusions about the man himself from the broader evidence this collection presents. Though the world has seen the last of Hitchens in the flesh, his words live on --- and, one suspects, we have not read the last of them.
Reviewed by Barbara Bamberger Scott
60 of 72 people found the following review helpful.
Sort of Like God, This Is Not Great
By Pop Bop
This is a fairly interesting, but not particularly satisfying, collection for the reader who is already a Hitchens fan. Some bits and pieces highlight why Hitchens was an important and unpredictable voice, but the rest display the weaknesses that dogged his less inspired efforts. And much of it is rather predictable.
I enjoyed his thoughts about Thanksgiving as the most inclusive and welcoming of American holidays; it had a spark of honest feeling and a generous spirit. The Christmas bashing has its moments, but covers familiar ground. We get a generous and thoughtful treatment of Che, but then an almost fawning piece about Oriana Fallaci that fits right into that period when every serious journalist or public intellectual was required to write a worshipful piece about her.
And so it goes. Hillary bashing, obscure political observations, some Orwell, Edmund Wilson - the usual suspects. There's an odd set of pieces about aging and self-improvement that is almost literally about navel gazing.
I think the bottom line for me was this - if you admired and enjoyed Hitchens' work, and miss him, and wish he were here right now to ponder current events, this book will appeal. If you are a completest fan, this book will definitely appeal. If you are new to Hitchens, this collection might lead you to wonder what all the fuss was about. If you want a "Greatest Hits" collection, this may feel more like outtakes and lost tracks.
(Please note that I received a free advance ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book.)
19 of 22 people found the following review helpful.
These essays are a great introduction to Hitchens if you've never read his writing ...
By Peadar
I was very excited when this volume arrived today. It's a collection of essays which have not appeared in book form, but have appeared in the various columns Hitchens had over the years.
I have every book he penned, so getting my hands on this book was an obvious provision.
These essays are a great introduction to Hitchens if you've never read his writing before. It's a much easier read than some of his other collections (Arguably, Love Poverty & War).
I got through it in a couple of hours. Well worth reading.
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