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• Sales Rank: #3554908 in Books
• Published on: 1990
• Binding: Paperback

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In this beloved picture book that could only come from the visionary mind of author and illustrator TIM BURTON, we meet Jack Skellington-- a well-intentioned inhabitant of Halloweenland. Jack is bored of "the scaring, the terror, the fright....tired of being something that goes bump in the night". And so, in an effort to bring to joy to his town, Jack kidnaps Santa and takes his place as the jolly old elf. But instead of bringing joy to the world Jack, who is a little more than a grinning skeleton, brings fear by delivering creepy toys and riding a sleigh carried by skeletal reindeer. Only through a number of things going horribly wrong does Jack learn the true meaning of Christmas.

• Sales Rank: #6456 in Books
• Brand: Disney Press
• Published on: 2013-08-06
• Released on: 2013-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 10.50" l, .0 pounds
• Binding: Hardcover
• 56 pages

Features

• Used Book in Good Condition

From Booklist
Gr. 3-5. Expect to hear this title a lot around Christmastime. Burton, the author, is also Burton, the filmmaker (Beetlejuice, Batman), and this is the picture-book version of his new holiday movie. According to a companion adult volume, Tim Burton's Nightmare before Christmas: The Film, the Art, the Vision, reviewed in this issue's Upfront section, Burton has used an innovative stop-motion process to animate the movie. Maybe the story will work better as a movie than it does as a picture book. It stars Jack Skellington, Halloween's most famous figure. He concludes that Halloween's a drag, and after literally falling into Christmas Town, decides to shove Santa into a sack and trade places with him. This leads to such lines as "And what to their wondering eyes should appear / But a coffin sleigh with skeleton deer. / And a skeletal driver so ugly and sick / They knew in a moment, this can't be St. Nick." At least these lines scan better than some of the stanzas in the rhyming text. It's not clear who the audience for this is. The art is macabre and likely to scare little ones, especially those who still believe in Santa. Older kids may find the book amusing in a gross kind of way, but if they've seen the film, these illustrations aren't going to hold their interest. Libraries might want to consider purchase if the film's a holiday hit, but to be on the safe side, wait and see if the movie is big box office--and whether that translates into requests. Ilene Cooper

About the Author
TIM BURTON was born and raised in Burbank, California. He attended the California Institute of Arts and soon after began a career as an animator at The Walt Disney Studios. He made his directing debut with the animated short, Vinvent. The film was a critical success and an award winner on the festival circuit. His celebrated films include Pee Wee's Big Adventure, Beetlejuice, Batman, Edward Scissorhands, Alice in Wonderland and Frankenweenie. His book of drawings and rhyming verse, The Melancholy Death of Oyster Boy and Other Stories was praised by the New York Times for "conveying the pain of an adolescent outsider."

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36 of 38 people found the following review helpful.
A Movie Sure to Become a Cherished Family Classic
By A Customer
I bought a copy of this book a couple years back, only to find my young nephew (only 5 back then) reaching to look at it often when he visited. I've now decided to buy him his own copy of this book, while it's still in print, because I see this movie's "legend" continuing to grow as an annual Halloween classic. Such is the unique and wonderful world of Tim Burton; his style often does not catch on immediately, but it slowly finds its way beyond "cult" viewing and into the hearts and minds of mainstream audiences. This book features a generous offering of pre-production designs (including many of Burton's own drawings) and behind-the-scenes photos, which are fun to look at again and again. A beautifully illustrated book, and fun to own

23 of 25 people found the following review helpful.
Beautifully illustrated , melancholy, spooky, charming and FUN!!!!
By ModernOrchid
I was lucky to find this at Borders a couple of days ago. My 5 and 3 year olds love it and so do I! It is a shorter version of the movie, thus NO Sally, or Oogie Boogie in the plot. However, they do make an appearance as citizens of Halloween Town. It is in a rhyming verse and this adds to it's charm , one of my fave lines is

"He visted the house of Susie and Dave;

They got a Gumby and Pokey from the grave.

Then on to the home of little Jane Neeman;

She got a baby doll possessed by a demon.""

There is also a spooky parody of "T'was the night before christmas" and Zero as Rudolph, of course. I look forward to reading this book at bedtime or anytime because it is such fun!

19 of 21 people found the following review helpful.
Very illustrative...
By R.Suarez
This book is definitely very illustrative about the process of creation of a film of the caliber of `The nightmare before Christmas'. With a foreword by Tim Burton, the book includes everything related with the making of this stop-motion animation classic. This book is more a documentary about the making of the film; it is divided in three sections (described below) and takes you through the whole process of creation of the movie. It is an interesting document indeed for people wanting to know about the creative process of making a movie of this kind. A perfect companion for the film!

The Film

The first part of the book focuses on the story ans the lyrics of the movie songs, beautifully illustrated with pictures from the movie, designs and Burton's sketches. Some movie facts are also given in this part of the book.

The Art

The original poem by Burton in which the movie is based on is presented in the firt part of the section. Most of Burton's sketches and character designs are here. The design of the sets, the characters and storyboards are well explained and presented in this section of the book with beautiful pictures, colored sketches and original drawings by Tim.

The Vision

In this section we get to meet all the people involved in making this film possible, and a little background on her profiles and how they were selected to partake on this project. Tim Burton, Henry Selick, Danny Elfman, Caroline Thompson, Kathleen Gavin and Denise Di Novi participate with comments and thought about the project.

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For courses in Pain Control, Local Anesthesia in Dentistry, and Nitrous Oxide Sedation (minimal sedation) in Dentistry.

 

Local Anesthesia for Dental Professionals, 2/e provides a user-friendly, primary resource for instructors and students of pain control. This text is appropriate for both dental and dental hygiene students and provides step-by-step instructions that are also useful to practicing clinicians seeking to improve their skills or learn new injection techniques. In addition to the superb illustrations, step-by-step approach, and easy-to-understand language established in the first edition, the new second edition includes both local anesthesia and nitrous oxide-oxygen sedation. Extensive online resources and a companion technique DVD augment this text, providing a comprehensive resource for students and dental professionals.

 

Teaching and Learning Experience

 

Local Anesthesia for Dental Professionals, 2/e provides unparalleled coverage in a straightforward, user-friendly format. It provides:

• Comprehensive yet accessible content: The text is an all-in-one resource in local anesthesia for dental and dental hygiene students and professionals.
• Real-world learning: Chapters present practical expertise, case studies, and resources that will be referenced again and again.
• Extensive teaching and learning resources: Numerous text features and supplemental materials facilitate both teaching and learning.

• Sales Rank: #51264 in Books
• Published on: 2014-07-11
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .80" w x 8.50" l, .0 pounds
• Binding: Paperback
• 480 pages

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0 of 0 people found the following review helpful.
Five Stars
By SusanLe
Well written, easier to read and understand than the Malamed local anesthesia book.

0 of 0 people found the following review helpful.
Fastest delivery Eva!!! :-)
By Audry Hines
Excellent!!! I ordered on January 29th and got the book on January 31st. Could not be any faster.Great book as well, getting me ready for my certification. Totally recommended

0 of 0 people found the following review helpful.
Hygiene anesthesia
By Julie Sperring
This book has been very helpful, although a lot of content to learn in a four day class!

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• Sales Rank: #1268884 in Books
• Published on: 2016-06-24
• Original language: English
• Number of items: 1
• Dimensions: 11.10" h x 1.10" w x 8.60" l, .0 pounds
• Binding: Hardcover
• 366 pages

About the Author

Professor Pollalis is Professor of Design, Technology and Management at the Harvard Design School. He is the Director of the Zofnass Program for the Sustainability of Infrastructure that led to the Envision Rating System. He is the Principal Investigator of the project "Gulf Sustainable Urbanism" for 10 cities in the Arab Gulf, and the chief planner for the new DHA City Karachi.

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Gentle Giant acquired a large cult following worldwide, with a string of successful LPs displaying an extraordinary mixture of rock, classical and mediaeval music. Tours in Europe and America became ever more grandiose and elaborate—and then along came punk. However, Gentle Giant’s music has endured over time and new generations are as entranced by their intricate sound as were audiences of thirty years ago.

• Sales Rank: #3981045 in Books
• Published on: 2005-08
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .90" w x 6.20" l, .99 pounds
• Binding: Hardcover
• 192 pages

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17 of 20 people found the following review helpful.
Two Stars just because Gentle Giant is one of the chracters in the book and for Geir Hasnes essay at the end.
By Joseph L. Auger
Sorry Mr. Stump. Geir Hasnes should have written this book as his essay was wonderfully informative and straight forward.

I don't like giving a bad review of anything or anyone and I can usually find something good to say about anything. I don't want to dis the book because if it alerts others to Gentle Giant, then it has served its purpose to a degree. That being said I can hold it in no longer.

This book comes across as a high school draft of an idea about Gentle Giant's story and 'Prog' rocks origins which are two separate topics for two separate books that are both horribly handled here. The title of the book does not alert the reader that the author will be sniffily pontifiacting

about those musical origins when you are expecting a well researched bio of an amazing band. The information could have been integrated in a better way but seems to be shoe horned in where ever it'll almost fit.

Not one of the seven surviving members of the band who are all still active in the business to a degree and still administer GGs product were seemingly not interviewed for the book as there is a long list of copied interviews from their heyday in the 70's. That is just

lazy. That he consistantly glosses over certain details about their touring life with the repeated 'Reportedly this or that" compounds the laziness.

Yet he goes far to create this weird prose that would fit more in a book of fiction than a musical biography. He also seems at odds with himself as to whether he actually likes the band or not. In one sentence he will dismiss a particular performance or song and then hail it as a masterpiece in the next sentence.

Critisizm is fine as long as one is consistant about what one feels is weak or strong.

Chronologically it is all over the place and without any reason other than to accomodate an off topic tangent, which happens alot in this book.

If that weren't bad enough I would have to think that he was purposely using words obviously gleaned from a Thesaurus as some kind of private joke. Gentle Giants story ends up being a secondary character behind this God awful writing. Sounds like just another failed writer who has turned to music critisizm to pay his rent and is bitter about it and takes it out on his subject matter. I've met too many of this type of music critic and they are like mushy peas in a pod. As Frank Zappa has said,

(paraphrasing)," Writing about music is like dancing about architecture."

This book proves Frank was correct

19 of 19 people found the following review helpful.
More an analysis of their music than musical biography
By Wayne Klein
By 1979 Gentle Giant was in trouble; punk and new wave had exploded clearing the decks of most prog rock bands unless you were Yes or ELP. Retooling their sound and adapting it to the current marketplace caused (along with continued indifference from their record companies) sales to plummet. It was time to move on and the band did--they broke up. Paul Stump's biography of the band documents most of this but spends too much time analyzing the band's music at the expense of telling their story. Much like his "Cultural biography" of Roxy Music Stump writes a critical analysis of the band fit for a musician but that will leave the average fan cold. He's appealing to a cult audience just as the band did. That's too bad because of all the prog rock bands that came of age during the 70's, Gentle Giant demonstrated the creativity of bands like King Crimson, Genesis and Yes even if they didn't have the sales to prove it.

Stump's book focuses too much on analysis and not enough on the band's story and that's its single largest flaw. I realize that Stump wrote this book a couple of years ago originally but this new edition (with a 2005 copyright) could have benefited from new info and a couple ofnew chapters. I'd also hardly call Stump's style "breezy"--pretentious and stuffy might be a better description of his style. It makes slogging through the book to find the minimal information about the recording of each album frustrating to say the least. Couldn't Stump have interviewed their recording engineer for stories about the recording sessions even if the band wasn't willing to talk about them? Geir Hasnaes' 20 page analysis of the band's music over time was more incisive discussing the same material that Stump does about the band's music. With the release of "Under Construction" and other posthumous CDs there was a lot of material out there to lend itself to analyzing the band's sound. These releases are barely mentioned.

If Stump could have wrangled new extensive interviews with members of the band it would have helped the book as well. I personally was more interested hearing from Ray, Derek and Phil Shulman and their bandmates than hearing from Stump. The book reminds me of "Revolution in the Head" a book about The Beatles and their music. While spending a lot of time understanding the music is important it's also important to have a better sense of the climate and culture that surrounded Gentle Giant (and even the record company indifference). Stump should look to books like "Without You: The Tragic Story of Badfinger" by Dan Matovina which manages to balance a discussion of the conflicts that drove the band, their music, the climate and their audience in telling a complete overview of the band's history.

Nevertheless, Stump's book has merit. You'll disagree with some of his analysis. For example he cites "The Power and the Glory" as Gentle Giant's most cohesive album. I think that most fans would disagree with that assessment. He also dismisses marvelous songs such as "Think of Me with Kindness" when its probably one of the band's most heartfelt and emotionally powerful songs on "Octopus". At 192 pages this book gives short shift to the band's history and their struggles. While the music was and is important its the struggles the band went through that informed their music and creativity and understanding that is just as important as discussing the use of counterpoint and musical theory.

Mostof the research he's done for the book is excellent there are the stray facts that are incorrect (for example the band's last scheduled performance was at the Old Waldorf a rock and comedy nightclub in San Francisco not the Old Waldorf Hotel. The latter doesn't exist in the city and never did). The photos are welcome but could have been more extensive. Let's see what the band looks like now. What about interviewing Phil Shulman who was forced out of the band by his brothers after "Octopus". Shulman has done recent interviews so why not get his perspective at least on the band's early days? Derek Shulman's label DRT recently reissued most of the band's back catalog so what better timing to try and interview him? Stump's book on Roxy Music by comparison is twice as long covering roughly the same time frame.

I was a bit underwhelmed and disappointed by Stump's book. This is a band that deserves greater recognition. "Acquiring the Taste" does what I suppose all books about music should do--it makes you want to seek out their albums and listen to them. As a biography though it leaves the fan and newcomer hungry for more than just a "taste".

4 of 4 people found the following review helpful.
A BIT OF A NON EVENT!
By Mark53
Well i suppose ang gentle giant book is better than none, but this is a let down. The pictures are limited and very dark and grainy and almost added as an afterthought, but it is Stump's writing that is my big bug bearer. The reason that prog was so derided in the late '70's (though i continued to love it) was it's pretenciousness and the last chapter in this book where Stump analizes gentle giant's influences is more fuel to the fire of those that hate this sort of music. Come on Paul where do these notions come from? I'm sure the band didn't sit down and say 'let's put this influence here and be even more pompous!'It's good music for goodness sake and i don't need to be told the where's and why's as if i'm studying for some degree. No wonder you suggest not reading this chapter! As for the rest well a lot seems to be taken from the media of the time and there doesn't seem to be any co-operation from the band. I didn't appreciate the digs at other bands (ie Poco) that didn't fit into your blinkered view of what is good music.At the end of this i came away not knowing much more about Gentle Giant that i couldn't find out on the internet. Try putting 'unauthorised biography' next time and save me money!

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• Sales Rank: #1772015 in eBooks
• Published on: 2011-05-18
• Released on: 2011-05-18
• Format: Kindle eBook

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Every presidential election since 1964 has been won by the candidate backed by the most united party; yet as party unity has become more important to voting decisions, it has also become increasingly difficult to achieve. In his latest book, Martin Wattenberg offers an in-depth interpretation of the presidential elections of the 1980s, illuminating current theories of political behavior and how they operate in today's candidate-centered politics.

Wattenberg investigates the impact that political parties' declining relevance has had on presidential politics. As the parties' ability to polarize opinion weakened and voters were set politically adrift, the candidates themselves had to fill the power vacuum. Interestingly, as the candidates have become more prominent, their popularity has spiraled downward. Wattenberg's national survey data debunks the notion of Reagan as the "teflon president;' demonstrating that many negative judgments stuck to Reagan's public image throughout the 1980s, particularly the criticisms of his conservative policies.

The author's intricate analysis shows that many people were torn between candidates whose policies they preferred and those who they thought would produce the best results, and these contradictory attitudes were primarily resolved in favor of Reagan and Bush.

This book is not only the successor volume to the author's widely used book on American parties, it is also a controversial and thought-provoking commentary on American parties, politics, and representative government.

• Sales Rank: #2387408 in Books
• Brand: Brand: Harvard University Press
• Published on: 1992-10
• Original language: English
• Number of items: 1
• Dimensions: .55" h x 5.31" w x 8.15" l,
• Binding: Paperback
• 198 pages

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• Used Book in Good Condition

Review
Provides information and analysis that makes it a significant contribution to the professional literature on contemporary American electoral politics. (Walter Dean Burnham American Political Science Review)

Wattenberg expands upon the themes of his first book, The Decline of American Political Parties, in which he asserted that more Americans than ever before were taking a 'neutral' stance toward the Democratic and Republican parties. In this new work he describes the effects of political neutrality: the rise of candidate-centered politics...Wattenberg discovers that since 1968 Democratic and Republican presidential candidates have suffered declines in their overall approval ratings. This is especially true for Ronald Reagan. Wattenberg explodes the myth that the 'Great Communicator' was especially popular with his fellow countrymen...Today, the American dislike of parties and their nominees means that many voters cast their ballots based on the 'goodness/badness' of the times--or what Wattenberg calls 'performance based voting'...Highly recommended. (Choice)

Review
It is a genuine pleasure to read a book as excellent in all respects as Martin Wattenberg's. It contains a wealth of fascinating material, clearly and soundly analyzed, and makes significant contributions both to our understanding of politics in the 1980s and to the methodology by which we find things out. It is original and, in many areas, path-breaking...The author comes right to the point, without repetition and with scarcely a wasted word. (James L. Sundquist, The Brookings Institution)

About the Author
Martin P. Wattenberg is Professor of Political Science at the University of California, Irvine.

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1 of 1 people found the following review helpful.
Candidate, voters, and bad decisions
By Dr. Jones
Wattenberg makes an argument that the weak party system has caused many voters to search for new ways to identify who they will vote for when participating in presidential elections. The information these voters would find rests in the performance of the sitting president. If the sitting president is doing a good job, then the voters will elect them, but if not the and the president is not seen as doing a good job then the voters will vote them out of a job. Further evidence of this is found in the Obama results of 2008. A great deal of voters elected Obama without knowing much about him. What they did know was the Bush did a poor job, and they voted against the republican in that race. That was all it took for them to vote for Obama, just the idea they were voting against four more years if the Bush administration. This is how voters decide issues today, but the book is silent on what the consequences of this happen to be.

0 of 0 people found the following review helpful.
What matters most: policy or performance?
By Vincent Poirier
Wattenberg starts by reviewing theories of how people vote. Do people vote because of where they live? Do people vote because their families have always voted for this or that party? Do people vote for one party because they are dissatisfied with economic conditions? With changing social values? Or do people choose someone because the candidate seems to be the right person for the job?

The book then presents presidential election returns and polling data ranging between 1952 and 1988 and the trend is unmistakable. People are voting less and less along party lines, less and less according to policy trends (which had stabilized) and more according to performance. The data indicates that voters in the 1980 election didn't so much elect Ronald Reagan as they rejected Jimmy Carter. Likewise in 1988, they didn't so much elect Bush senior as they re-elected Reagan to a third term.

Interestingly, being elected doesn't seem to confer a policy mandate of any sort on a candidate, or at least not as strong a mandate as first impressions would lead us to think. What matters most is not which policy platform the candidate will adopt, what matters most is who the candidates are and how people expect them to perform.

Conservatives should not dismiss the liberal author's conclusions since they seem to have been corroborated by election results since 1992. Wattenberg uncovered trends that all politicians need to consider.

Vincent Poirier, Tokyo

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